Passion as a Requirement

More and more, I’m realizing that I *need* for people to be passionate and energetic for me to connect with them. I have less and less interest in convincing people or motivating people that don’t already have the spark on board .

Sure, we all find our patches in life, and we can all have some down time (um…hello!). But if you’re not NORMALLY energetic and passionate, then it’s harder for me to connect with you.

Look at Seth Godin, at Tom Peters, at Steve Jobs, at pretty much anyone successful. Look at Heidi Miller, at Christopher Penn, at most of the people I communicate with frequently through this site. I connect with passionate people. Steve Garfield, same thing. He has a great line, “I subscribe to people.”

My edit: I subscribe to passionate people.

You know who I don’t subscribe to? Devil’s Advocates. I’ve given up. Nope. No thanks. You can have your advocacy. I’ve got other things in mind. It’s okay to help me correct my path, but not in that format. I’m no longer in the convincing business.

(That is, until I decide I have to give up my do-it-myself dream and seek funding… and then, maybe I’ll do some convincing).

Passion Rules!!!

Employees are sometimes passionate, but often have lots of boundaries in the way of being passionate. I’ve heard twice in as many days that most of the systems that raise us and shelter us (schools, businesses, etc) are built to condition us to a life of mediocrity. Well, swell!

I think I’m all done being mediocre.

The only real problem to be solved in this (for me, personally) is that I have to learn how to get the lens hot enough on a single topic to burn a hole through to let money come back in. I can’t monetize me. Not so far. I haven’t figured out the trick. So, the challenge is: how to be passionate while being an employee.

It’s something lots of new media types are facing all the time.

Wanna know what jazzed me up yesterday? I shot about five minutes of video, starting at waking up, that showed me brushing my teeth, combing my hair, getting dressed, checking email, driving to work, sitting down at the desk, etc. It was so fun learning how to tell a story with a camera. Because that’s not the same thing as just shooting a movie. Telling a story is even harder.

I was shown Josh Leo’s video blog at Podcast Academy 2 in Boston by Steve Garfield, and there was this bit where Josh (I forget his real name) is brushing his teeth and going to bed. It was SO well told, filming wise. It makes me appreciate what Justin must go through to get his shots covered.

Anyhow, passion. That’s the requirement. Be passionate. About who-gives-a-Fred-what! Just be passionate.

What’s YOUR passion?

Related posts:

  1. Leadership: Passion as a Force Multiplier
  2. Passion- Money | Money – Passion?
  3. Get Your Own Damned Passion!
  4. The Passion to Launch

ChrisBrogan.com runs on the Genesis Framework

Genesis Theme Framework

The Genesis Framework empowers you to quickly and easily build incredible websites with WordPress. Whether you're a novice or advanced developer, Genesis provides you with the secure and search-engine-optimized foundation that takes WordPress to places you never thought it could go.

With automatic theme updates and world-class support included, Genesis is the smart choice for your WordPress website or blog.

Become a StudioPress Affiliate

  • http://robhatch.com Rob

    One of my many passions is to play the Devil’s Advocate. I wish I were joking, but I enjoy the exchange of having someone convince me. I do it with a desire to understand, not to squash or squelch an idea. I do it to hear people’s passion.

  • http://robhatch.com Rob

    One of my many passions is to play the Devil’s Advocate. I wish I were joking, but I enjoy the exchange of having someone convince me. I do it with a desire to understand, not to squash or squelch an idea. I do it to hear people’s passion.

  • http://www.grasshoppernewmedia.com Chris Brogan..

    There are other ways to hear that passion. What if you signed on for the role of “anthropologist?” What if you said, “Okay. I hear what you’re saying. I’m from another planet or another time. Tell me what impact this has. How do I discover it? Show me this in action.”

    The difference is in the flow of energy. Devil’s Advocates are more like walls to be scaled.

    There are many roles you can take (see Tom Kelley’s 10 Faces of Innovation) that keep the energy and momentum going forward.

  • http://www.grasshoppernewmedia.com Chris Brogan..

    There are other ways to hear that passion. What if you signed on for the role of “anthropologist?” What if you said, “Okay. I hear what you’re saying. I’m from another planet or another time. Tell me what impact this has. How do I discover it? Show me this in action.”

    The difference is in the flow of energy. Devil’s Advocates are more like walls to be scaled.

    There are many roles you can take (see Tom Kelley’s 10 Faces of Innovation) that keep the energy and momentum going forward.

  • http://52reviews.com Eric Allam

    I am passionate about new things that could change the world. I love things that constantly change, that don’t get boring. I am passionate about change, I would say, but more specifically growing. Being static is boring. I don’t care how much money I have, if I’m not changing, I am not living.

  • http://52reviews.com Eric Allam

    I am passionate about new things that could change the world. I love things that constantly change, that don’t get boring. I am passionate about change, I would say, but more specifically growing. Being static is boring. I don’t care how much money I have, if I’m not changing, I am not living.

  • http://www.jonglassett.com Jon

    I think this subject calls for a clarification between devil’s advocate and naysayer. Naysayers are useless unless they are willing to share the reason behind their negative view. Devil’s advocates are often a great asset to the creative process, as long as you don’t take their challenges personally and are willing to examine and have your ideas examined.

  • http://www.jonglassett.com Jon

    I think this subject calls for a clarification between devil’s advocate and naysayer. Naysayers are useless unless they are willing to share the reason behind their negative view. Devil’s advocates are often a great asset to the creative process, as long as you don’t take their challenges personally and are willing to examine and have your ideas examined.

  • http://dydimustk.com dydimustk

    This is an interesting post to me, because my passion is helping people catch that spark. I love to help them find the tools and courage to take their dreams and make them a reality.

    What a fun dichotomy.

  • http://dydimustk.com dydimustk

    This is an interesting post to me, because my passion is helping people catch that spark. I love to help them find the tools and courage to take their dreams and make them a reality.

    What a fun dichotomy.

  • http://www.chrisbrogan.com chrisbrogan

    Might be a good point in that distinction, Jon. I just have rarely met a Devil’s Advocate that was credited with bringing the ball forward.

    “Special thanks to Bob. He said it probably wasn’t very viable.”

  • http://www.chrisbrogan.com chrisbrogan

    Might be a good point in that distinction, Jon. I just have rarely met a Devil’s Advocate that was credited with bringing the ball forward.

    “Special thanks to Bob. He said it probably wasn’t very viable.”

  • http://www.jonglassett.com Jon

    That sounds like a quote from a naysayer.

    Point being, a Devil’s Advocate will constructively argue an opposing viewpoint. That can be helpful in revealing flaws that might otherwise go undetected.

  • http://www.jonglassett.com Jon

    That sounds like a quote from a naysayer.

    Point being, a Devil’s Advocate will constructively argue an opposing viewpoint. That can be helpful in revealing flaws that might otherwise go undetected.

  • http://www.jonglassett.com Jon

    Wait…am I being a Devil’s Advocate for Devil’s Advocacy right now?

  • http://www.jonglassett.com Jon

    Wait…am I being a Devil’s Advocate for Devil’s Advocacy right now?

  • http://www.chrisbrogan.com chrisbrogan

    I just don’t know. How soon do you want to know what won’t work? When’s the right time to throw wet towels?

    I think maybe it’s a personal preference.

    For me, Devil’s Advocate types can f*ck off until I’ve got all the dreaming out of the way, especially now where I execute so often.

  • http://www.chrisbrogan.com chrisbrogan

    I just don’t know. How soon do you want to know what won’t work? When’s the right time to throw wet towels?

    I think maybe it’s a personal preference.

    For me, Devil’s Advocate types can f*ck off until I’ve got all the dreaming out of the way, especially now where I execute so often.

  • http://www.jonglassett.com Jon

    That’s the risk of putting your ideas out there, I guess. Ready or not, here come the critics. To me, it’s all a matter of what and how much you’re allowing yourself to take to heart.

    You say “f*ck off” and I say “that’s very nice and thank you but I’m doing my own thing for right now”.

    Personal preference, indeed.

  • http://www.jonglassett.com Jon

    That’s the risk of putting your ideas out there, I guess. Ready or not, here come the critics. To me, it’s all a matter of what and how much you’re allowing yourself to take to heart.

    You say “f*ck off” and I say “that’s very nice and thank you but I’m doing my own thing for right now”.

    Personal preference, indeed.

  • http://www.chrisbrogan.com chrisbrogan

    Interesting. And maybe that’s it. Do all performers just learn how to filter critics?

    Do YOU filter critics?

    Your music isn’t “typical,” and yet it’s visionary.

    Think of Thom. His music was so far ahead of its time that I basically picked on him the whole time, ridiculed him, disuaded him.

    I was simply the Devil. Maybe still am.

    No, I don’t wear Prada.

  • http://www.chrisbrogan.com chrisbrogan

    Interesting. And maybe that’s it. Do all performers just learn how to filter critics?

    Do YOU filter critics?

    Your music isn’t “typical,” and yet it’s visionary.

    Think of Thom. His music was so far ahead of its time that I basically picked on him the whole time, ridiculed him, disuaded him.

    I was simply the Devil. Maybe still am.

    No, I don’t wear Prada.

  • http://www.jonglassett.com Jon

    I think you spend enough time listening to people tell you stuff about what you’re creating and eventually you get used to that as part of the process and keep it in it’s proper perspective. More importantly, you learn to distinguish what’s useful from what’s half-hearted or, worse, simply destructive. You develop a certain detachment. Not that you don’t still have passion for what you do, but that you emotionally prepare yourself for the potential reaction of outsiders once you release it to them.

    It’s kind of liking making a baby and learning to be okay with someone calling it ugly.

    With my band, the music is out there for people to either hail or deride. We’ve had both reactions. In both cases, I’ve learned to try and just be as gracious as possible and not allow it to be a personal thing. I have to do this because, good or bad, I don’t want someone else’s feedback on my mind when I’m writing the next song. If that happens then they might as well be writing the damn thing because it sure as hell ain’t me. Same thing with live performances. If all I’m thinking about is how I’m perceived, I’ll come off as forced and probably be a nervous wreck to boot.

    So, yeah, I filter critics. Most of the time. Sometimes I have weak moments and other times I invite criticism because I’m trying to work through something.

  • http://www.jonglassett.com Jon

    I think you spend enough time listening to people tell you stuff about what you’re creating and eventually you get used to that as part of the process and keep it in it’s proper perspective. More importantly, you learn to distinguish what’s useful from what’s half-hearted or, worse, simply destructive. You develop a certain detachment. Not that you don’t still have passion for what you do, but that you emotionally prepare yourself for the potential reaction of outsiders once you release it to them.

    It’s kind of liking making a baby and learning to be okay with someone calling it ugly.

    With my band, the music is out there for people to either hail or deride. We’ve had both reactions. In both cases, I’ve learned to try and just be as gracious as possible and not allow it to be a personal thing. I have to do this because, good or bad, I don’t want someone else’s feedback on my mind when I’m writing the next song. If that happens then they might as well be writing the damn thing because it sure as hell ain’t me. Same thing with live performances. If all I’m thinking about is how I’m perceived, I’ll come off as forced and probably be a nervous wreck to boot.

    So, yeah, I filter critics. Most of the time. Sometimes I have weak moments and other times I invite criticism because I’m trying to work through something.

  • http://www.chrisbrogan.com chrisbrogan

    You’re truly an artist’s artist, Jon, and I’m not just saying that.

  • http://www.chrisbrogan.com chrisbrogan

    You’re truly an artist’s artist, Jon, and I’m not just saying that.

  • http://www.jonglassett.com Jon

    Now if I could only become a grammarian.

    And a billionaire.

    Oh, and “Aw, shucks!”

    Seriously, I’m just a self-important loudmouth like everyone else in the world.

  • http://www.jonglassett.com Jon

    Now if I could only become a grammarian.

    And a billionaire.

    Oh, and “Aw, shucks!”

    Seriously, I’m just a self-important loudmouth like everyone else in the world.