Raw Goods Craftspeople and Merchants

(I can feel my need for caffeine to pull this together, but barring that, I’ll still take a stab.)

I communicate with very smart people every day. Some of them are creative and artistic. Others are great with software. Some know how to work well with people. Others seem to glide effortlessly between roles. And some just have great repetitive skill and can execute, if nothing else.

Raw Goods

Ideas are like a raw good. They can be amazing and wonderful, but in their raw form, it’s a little hard to extract value from them. If you are a farmer, you have soil, and crops, and a sense of how to bring a plant from a seedling to something that produces a yield. And you might sell that yield at a farmstand, or to a wholesale buyer, but the money you’ll get for that raw good won’t be nearly what someone with some skill might get from deriving something from it.

Craftspeople

It’s a wonderful thing to take something raw and shape it into something that’s of value to people. Seeing the raw material bent to fit a form that can be taken up and used by others is where a sense of reward can come to what you’ve done. Knowing how to make your idea useful to the outside world would make you akin to a craftperson.

But what is the reach of your craft? And how do you know that the finished good isn’t even MORE useful when applied in a slightly different way? Knowing how to expertly roast coffee beans such that anyone who tries your coffee finds it delightful is a craft that’s worth knowing how to do. It’s easy to conceive that you as a craftsperson could live off the payment you’d receive for knowing how to execute that process.

Merchants

But Starbucks created the “third place.” Dunkin Donuts is out there making a great tasting cup of coffee (these are ubiquitous in New England; if you’re from somewhere else, accept that it’s reasonably good coffee- those of you in Canada, think Tim Horton’s). Starbucks added “lifestyle” to the mix. You’re not buying a cup of hot wet bean juice. You’re buying a moment of relaxation, music, wood paneling, and accessories to color your lifestyle.

And here is where the real money changes hands between your idea and those willing to pay for it.

Value Chains

One of a handful of books that truly opened my eyes to the understanding of business and how I might eventually find my way from being a craftperson to being a merchant was The World Is Flat, by Thomas Friedman. The book taught me a lesson about value, and where value should be derived, and how one should focus hard on that, and detach the rest to other sources.

In the case above, Starbucks found the heart of value, and got someone else to farm, and someone else to cook. They also got someone else to deliver, someone else to do pretty much everything that isn’t related to the value proposition the people paying money most understand.

Find YOUR Merchant Value

Up until now, you’ve been nodding your head. I haven’t told you anything new, though maybe you are now assessing where you are with the value of your idea / product / thing you do. Maybe you’ve started wondering what you’re doing that isn’t the true value. Maybe you’re realizing that you are a craftsperson and not the merchant.

What will you do differently? How will you extract the greatest value from the time you’re spending in a day? How will you translate that into a reward for yourself (or your cause, your organization)?

But Do You REALLY Want to Blow This Open?

Starbucks makes money on the coffee you buy. But they also make money on real estate deals. They make money on licensing deals (people pay Starbucks to use their name in places like airplanes, hotels, etc). They make money on recipe books. They make money cutting deals with music companies to put the music company’s CDs in their stores.

So even if you figure out where your value is, you have to move past seeing it linearly. You have to see if there are multiple ways you can extract value from what you’re doing, and whether you can properly take advantage of those opportunities. Or else you’re still seeing only part of the picture.

You

Where is the value in what you are doing? How are extracting that value? How are you shifting away from low-margin efforts into the things that might yield the most overall value?

And THEN, how are you sharing that value or helping others find their value? What are you giving back in other words?

Because that farmer creating raw goods knows that if you don’t feed the soil, rest the soil, and care for your plot of land, there won’t be beans for the craftperson to cook, and that means nothing for the merchant to sell in the coffee shop. It’s all a system.

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  • http://www.ldpodcast.com Whitney

    Is this aimed at me?
    It hit home for me, for sure- with new, surprising opportunities exploding, and trying to have the courage to latch on and go for it.
    I know that the new media space has a learning curve attached, and it takes concentrated effort to get good at it, and that creates the value add for folks in the real world. But how much is that value add worth? Do you charge hourly, or by the project? How do you judge how slick the client wants something in your pitch, versus known time constraints? Why do I feel like I’m on “Project New Media” hosted by (choose your new media star here) where we have a limited amount of time in which to perform miracles?
    As Heidi Klum says, it’s “The opportunity of a lifetime” wrapped up with “God, don’t let me blow it, this cold be huge” with “Don’t let me undersell, either” because I don’t want to feel like an amateur in a professional world, and I want things done well- things we can be proud of.
    I guess it’s time to put the proverbial money where the mouth is, realize there is value add here that starts with a foot in the door and the sky is the limit, depending on what the client wants. WOW.

  • http://www.ldpodcast.com Whitney

    Is this aimed at me?
    It hit home for me, for sure- with new, surprising opportunities exploding, and trying to have the courage to latch on and go for it.
    I know that the new media space has a learning curve attached, and it takes concentrated effort to get good at it, and that creates the value add for folks in the real world. But how much is that value add worth? Do you charge hourly, or by the project? How do you judge how slick the client wants something in your pitch, versus known time constraints? Why do I feel like I’m on “Project New Media” hosted by (choose your new media star here) where we have a limited amount of time in which to perform miracles?
    As Heidi Klum says, it’s “The opportunity of a lifetime” wrapped up with “God, don’t let me blow it, this cold be huge” with “Don’t let me undersell, either” because I don’t want to feel like an amateur in a professional world, and I want things done well- things we can be proud of.
    I guess it’s time to put the proverbial money where the mouth is, realize there is value add here that starts with a foot in the door and the sky is the limit, depending on what the client wants. WOW.

  • http://www.podsea.com Jeff

    This must be a post that resonates with a bunch of people because before I made it to the comments section, I was think the same thing as Whitney. Is this about me.

    Way to get people thinking. Great post.

  • http://www.podsea.com Jeff

    This must be a post that resonates with a bunch of people because before I made it to the comments section, I was think the same thing as Whitney. Is this about me.

    Way to get people thinking. Great post.

  • http://www.mobasoft.com Michael Bailey

    Funny, I was thinking that it was aimed at me.

    I think that whoever reads it will think that it is aimed at them since it makes you think about how you are fitting what you do into how things are turning out.

    Chris, you did that without caffeine?

  • http://www.mobasoft.com Michael Bailey

    Funny, I was thinking that it was aimed at me.

    I think that whoever reads it will think that it is aimed at them since it makes you think about how you are fitting what you do into how things are turning out.

    Chris, you did that without caffeine?

  • http://www.angrysumo.com Jon Glassett

    I feel like a fake if all I have to offer is an idea. That’s why I’ve spent what feels like a lifetime trying to figure out what it is that makes a dreamer into a doer.

  • http://www.angrysumo.com Jon Glassett

    I feel like a fake if all I have to offer is an idea. That’s why I’ve spent what feels like a lifetime trying to figure out what it is that makes a dreamer into a doer.

  • http://www.chrisbrogan.com chrisbrogan

    So what DOES turn an idea into something done? What turns an idea into something that feeds you creatively, spiritually, and feeds the family to boot?

  • http://www.chrisbrogan.com chrisbrogan

    So what DOES turn an idea into something done? What turns an idea into something that feeds you creatively, spiritually, and feeds the family to boot?

  • http://www.angrysumo.com Jon Glassett

    Well, in my experience it’s been a process of forcing myself down to earth to recognize that, while ideas are great, it’s important to have 1) the ability to see translate an idea into “real world” components or steps toward actualization, 2) the willingness to commit to developing those components or taking those steps (which means staying the course long after a big idea has lost it’s steam, which is the hardest thing in the world for me to do) and 3) to effectively communicate your idea and your plan to others so you can get some help making it happen.

  • http://www.angrysumo.com Jon Glassett

    Well, in my experience it’s been a process of forcing myself down to earth to recognize that, while ideas are great, it’s important to have 1) the ability to see translate an idea into “real world” components or steps toward actualization, 2) the willingness to commit to developing those components or taking those steps (which means staying the course long after a big idea has lost it’s steam, which is the hardest thing in the world for me to do) and 3) to effectively communicate your idea and your plan to others so you can get some help making it happen.

  • http://www.chrisbrogan.com chrisbrogan

    And that’s definitely the delineating parts. That’s how you make it all become something real.

    Then, you’ve become the coffee roaster.

    What comes next is figuring out which of your ideas will sing, make you cash, and pay for ferret swings. : )

  • http://www.chrisbrogan.com chrisbrogan

    And that’s definitely the delineating parts. That’s how you make it all become something real.

    Then, you’ve become the coffee roaster.

    What comes next is figuring out which of your ideas will sing, make you cash, and pay for ferret swings. : )

  • http://www.angrysumo.com Jon Glassett

    Absolutely. That, to me, is sort of built in to step #3. When you make the pitch for outside help, that may well include some kind of business plan, marketing study or ROI-type analysis to get investors, grant money or what have you.

    The process is obviously more detailed than these 3 steps, but that’s how I look at it from the crow’s nest.

  • http://www.angrysumo.com Jon Glassett

    Absolutely. That, to me, is sort of built in to step #3. When you make the pitch for outside help, that may well include some kind of business plan, marketing study or ROI-type analysis to get investors, grant money or what have you.

    The process is obviously more detailed than these 3 steps, but that’s how I look at it from the crow’s nest.

  • http://www.chrisbrogan.com chrisbrogan

    Would you feed my crows while you’re up there?

    So my new thing, and I haven’t found the right metaphor that isn’t visual… my new thing is like model building, but the Star Wars 1977 model building. How do I take these things, crumble them together so that they work, and then put a real engine under them? The engine’s the money. Start with the vision, execute against it, find the engine.

    Right?

  • http://www.chrisbrogan.com chrisbrogan

    Would you feed my crows while you’re up there?

    So my new thing, and I haven’t found the right metaphor that isn’t visual… my new thing is like model building, but the Star Wars 1977 model building. How do I take these things, crumble them together so that they work, and then put a real engine under them? The engine’s the money. Start with the vision, execute against it, find the engine.

    Right?

  • http://www.angrysumo.com Jon Glassett

    That’s usually how it works, isn’t it? The whole entrepreneurial thing, that is. You front (beg, borrow, steal) resources to fabricate or demo an idea or product that equals dollar signs to someone with money to invest. Then you do the real launch.

    I admit to being a little confused because I’m not sure if you’re questions above are rhetorical or not.

  • http://www.angrysumo.com Jon Glassett

    That’s usually how it works, isn’t it? The whole entrepreneurial thing, that is. You front (beg, borrow, steal) resources to fabricate or demo an idea or product that equals dollar signs to someone with money to invest. Then you do the real launch.

    I admit to being a little confused because I’m not sure if you’re questions above are rhetorical or not.

  • http://www.angrysumo.com Jon Glassett

    I don’t know what it is with me and apostrophes lately. Man…

  • http://www.angrysumo.com Jon Glassett

    I don’t know what it is with me and apostrophes lately. Man…

  • http://www.chrisbrogan.com chrisbrogan

    Well, the whole conversation is technically rhetorical.

    But the overall concept is: take an idea, shape it, find a way to bring it to market.

    The Star Wars 1977 metaphor is a little more wacky. It’s saying: take all kinds of weird stuff from a varied bunch of sources, develop it into your product (or idea or service or art), and then fine more than one way to get money back for your effort.

    Make sense?

  • http://www.chrisbrogan.com chrisbrogan

    Well, the whole conversation is technically rhetorical.

    But the overall concept is: take an idea, shape it, find a way to bring it to market.

    The Star Wars 1977 metaphor is a little more wacky. It’s saying: take all kinds of weird stuff from a varied bunch of sources, develop it into your product (or idea or service or art), and then fine more than one way to get money back for your effort.

    Make sense?

  • http://www.angrysumo.com Jon Glassett

    Building in the potential for multiple product lines/revenue streams, to put it in corp-speak.

  • http://www.angrysumo.com Jon Glassett

    Building in the potential for multiple product lines/revenue streams, to put it in corp-speak.

  • http://www.angrysumo.com Jon Glassett

    Dude, I’ve got sketches of Chris Brogan action figures. We need to talk. I owe you a lunch.

  • http://www.angrysumo.com Jon Glassett

    Dude, I’ve got sketches of Chris Brogan action figures. We need to talk. I owe you a lunch.

  • http://www.jonglassett.com Jon Glassett

    Okay, one last thing and then I’ll stop cluttering up your comments. I wrote a continuation of/response to this conversation on my blog. Maybe it’ll go somewhere.

  • http://www.jonglassett.com Jon Glassett

    Okay, one last thing and then I’ll stop cluttering up your comments. I wrote a continuation of/response to this conversation on my blog. Maybe it’ll go somewhere.

  • http://fabadger.blogspot.com Dan Hill

    This is exactly the type of quality post that keeps me subscribed Chris.
    You’ve given me something to think about this Sunday evening.

  • http://fabadger.blogspot.com Dan Hill

    This is exactly the type of quality post that keeps me subscribed Chris.
    You’ve given me something to think about this Sunday evening.

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